I had seen hand-tracking instruments and vocoders online, but many of the musical interfaces I came across treated gestures like buttons in the air: make one gesture and trigger one sound.
I wondered whether hand tracking could be used for something more expressive, especially for chords. Rather than pressing invisible buttons, I wanted the gestures themselves to represent musical relationships.
I quickly realized this new medium unlocked many expressive possibilities. Hands can create different shapes, move in three dimensions, and tilt in different directions. I wanted to use those capabilities to create a system where the gestures themselves represented musical relationships.
The result was a system where your hands navigate harmony instead of simply triggering individual notes.